Depravity, by Féleth

Depravity

by Féleth

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brianwilliams82 Very riffy, occasionally Dyscarnate-y death metal. Favorite track: Ravenous.

Ending Circles This Album took me by surprise. Blackened Death Metal combined with subtle hints of Trash Metal, a few Core Elements, Tech Death shredding and tons of Groove. It sounds fresh and exciting and the Production is great. You need to hear this. Favorite track: Ravenous.

Mark Arruda This could be my favourite metal album of the year. This is a great find and great death metal album. The production is amazing, the grid productions do amazing work as always Favorite track: Ember (feat. Karl Øystein Langedahl).

Ty Berard I scan bandcamp religiously looking for new Death/Extreme Metal and every once and a while find jams. I feel like this band needs ALL THE CREDIT and Respect for putting out the caliber of music that they are producing. I hope to see you guys share the stage with acts like Behemoth Nile Cannibal ect. because you deserve it. 🤘👹🤘 Favorite track: Arise.

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1.	Ember (feat. Karl Øystein Langedahl) 04:13	buy track
2.	Hollow Words 03:26	buy track
3.	Ravenous 04:11	buy track
4.	Arise 04:19	buy track
5.	Dissolution 04:12	buy track
6.	Pestilence 04:42	buy track
7.	Pale Tongue (feat. Petter Carlsen) 05:48	buy track
8.	Swan Song 04:48	buy track

credits

released May 22, 2020

Lyrics by: Espen Dagenborg
Music by: Espen Dagenborg, Alexander Stamnes, Thomas Nyvoll, Brage Ingebrigtsen Westgaard and Aleksander Alsen

Mixing & Mastering: Christian Donaldson
Producer & Recording engineer: Liam Knott
Artwork: Eric Hyrcza at Kahinienn Graphix

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about

Féleth Troms og Finnmark, Norway

Hailing from the heart of Northern-Norway you’ll find Féleth, a quartet consisting of five joyful musical boys who play extreme and technically loaded music, which they jokefully describe as ‘’Technical Deathrock’’.
This jacked up noise machine from Alta composes brutal riff-driven songs, sewn together with melodic guitars and gnawing vocals, known for their energetic, tight performances. ... more

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